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PROCESS - AMERICAN ORIGAMI

AO INSPO COLLAGE

INSPIRATION

LEFT > RIGHT, TOP > BOTTOM:

LIGHT BLUES, MICHAEL SNOW, 1997

PRISM AND WOOD, GYÖRGY KEPES, 1939

SHUTTER INTERFACE, PAUL SHARITS, 1975

PIECE MANDALA/END WAR, PAUL SHARITS, 1966

RISC, BILLY ROISZ, 2013

SELF-PORTRAIT IN PARTY HAT..., NAN GOLDIN, 2005

RAZOR BLADES, PAUL SHARITS, 1965

IMG_5574.PNG

Actors experimenting with light during workshops. They used light to communicate character from early in the devising process. In the final design, I switched from realistic to expressionistic lighting when actors began portraying survivors.

PROCESS - #HERETOO

DISLER.jpg
COLD DARK MATTER
LOS MOSCOS
NOCTURNE
FALL

INSPIRATION

LEFT > RIGHT, TOP > BOTTOM:

NOCTURNE IN BLACK  & GOLD - THE FALLING ROCKET,

JAMES WHISTLER, 1875

[NO TITLE], MARTIN DISLER, 1981

COLD DARK MATTER, CORNELIA PARKER, 1991

FALL, BRIDGET RILEY, 1963

LOS MOSCOS, MARK BRADFORD, 2004

IMG_5573.jpg
tree.jpg

 Tree wiring process -- Front & Back

Production Electrician: Mark Brown

Tree illumination cue process -- preliminary vs. during tech.

Final design smoother, quicker, not as bright.

© 2025 By Quinn Chisenhall. 

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